Showing posts with label rachael yamagata. Show all posts
Showing posts with label rachael yamagata. Show all posts

Friday, February 5, 2010

Ode to...


Rachael Yamagata has one of those smoke-bred voices that grips you by the throat. She won't waste your time with petty pop songs once she's got your attention-- Rachael delves into the dark subconscious more than you might be able to stomach on first listen (particularly on her gorgeous 2009 double album Elephants...Teeth Sinking Into Heart.) But you can't fault a girl for wearing her heart on her sleeve. Especially when the songs are this good. Her lyrics are brimming with questions about love, grief, longing, heartbreak--and that's only disc one. On disc two guitarist Kevin Salem and producer Mike Mogis strap on the guitars for some devilishly-good steering wheel moxie-rock.

After a four year gap between her RCA debut Happenstance, Rachael toured the world, took a vacation, recorded her follow-up, changed labels, changed management, toured again, and finally released the aforementioned follow-up. That's a lot of waiting around if you're a fan. Good thing there were perfomances, like the following on Morning Becomes Eclectic, to tide us over. The new songs are quite different from their recorded counterparts, but hearing them in the early stages makes it that much more intimate. From delicate piano confessionals like "Parade" and Happenstance's "Quiet," to the slow build of the epic, crushing "Sunday Afternoon," these songs make for some soul-stirring poetry.

Rachael recently lent her voice to a duet on the soundtrack for the film adaption of Nicholas Sparks' "Dear John." Rachael co-wrote on the track "You Take My Troubles Away" with Dan Wilson. Rachael will be appearing on the upcoming Cayamo Cruise along with John Hiatt, Emmylou Harris and more. She's likely to perform some new material considering album three is currently in progress.

Rachael Yamagata on Morning Becomes Eclectic 2005
1. What If I Leave
2. Be Be Your Love
3. Parage
4. Quiet
5. Sunday Afternoon
6. Reason Why

Thursday, October 29, 2009

Rachael Yamagata



I've been out of the country twice. Once to Canada in 2007--although, most would dismiss this excursion because my friends and I literally walked over from Niagara Falls. The first time, however, was an Atlantic hopping flight to London, a train to Scotland and a detour to York (the terrorist bombings during the summer of 2005 kept us from heading back to London for several days, causing much stress and strenuous planning on my dad's part).

We made our way to London. One thing my dad was adamant about showing me was Harrods. My dad and I had spent hours perusing every department on every level of this massive consumer complex. $40 t-shirts weren't exactly in my price range. Once I recovered from sticker shock, I found my oasis. 3 for 15£. That was the sale on the third floor of Harrods' music department.

I flipped through the racks of albums for at least an hour before deciding on David Gray's "A New Day at Midnight", another album I can't recall, and Rachael Yamagata's "Happenstance".



I spent the entire evening glued to my headphones. I played these tracks over, and over, and over again. I had never heard anything like her voice before. Now, I've noticed how she draws from revered musicians like Tom McRae, Joni Mitchell and Tom Waits. But then, her intimate style of writing hit me like a double-decker bus.

"Happenstance" is a fine debut- and certainly a step above most female singer-songwriters that find their way into the pop world. Yamagata made her mark with the slick, melody driven catharsis of “Worn Me Down”.

She gained some attention for the lush, opening waltz “Be Be Your Love”--featured in The Sisterhood of the Traveling Pants-- but it wasn’t until her appearance on Zach Braff’s “Last Kiss” soundtrack that she reached a wider audience.

“The Reason Why” is a classic break-up anthem through and through--despite being written about her decision to embark on a solo career and part with her first foray into the music world, Chicago funk band Bumpus.

All of those songs are well-crafted, pleasing to the ear and a fine display of Yamagata's talent. But my personal favorites are the album cuts featured below:

"Meet Me By the Water"
Beautiful melody, direct lyrics and hypnotizing production by John Alagia.



"Quiet"
Understated lullaby that renders me speechless every time I listen.



"Ode To"
Featured as a hidden track on "Happenstance", but clearly one of the best examples of her songwriting on the album.



And those are just a few examples of this woman's talent. In later posts, I'll share some live recordings, unreleased songs and selections from her second release, 2008's double album "Elephants...Teeth Sinking Into Heart". Get acquainted with Rachael Yamagata.